I'm experiencing quite a lot of camera glare. The painting is smooth and the edges are much darker, but you get the general idea.
JJ
Cock Crow (oil)
- JJWilliamson
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Last edited by JJWilliamson on Tue Mar 28, 2017 9:20 am, edited 1 time in total.
Long time a child and still a child
- JJWilliamson
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Thanks, mac
I'll post a revision without all the glare to give you a better idea. The colours are still a tad muted
but it's an improvement on the original. Also revised this painting a bit.
I only have two ready made greens, the rest I mix. I have sap green and viridian in tubes. For the others I use
a combination of burnt umber and black with yellows and blues. For a less deep black I use a combination of deep red, lemon yellow
and ultramarine. Sap green is the mainstay.
Best
JJ
I'll post a revision without all the glare to give you a better idea. The colours are still a tad muted
but it's an improvement on the original. Also revised this painting a bit.
I only have two ready made greens, the rest I mix. I have sap green and viridian in tubes. For the others I use
a combination of burnt umber and black with yellows and blues. For a less deep black I use a combination of deep red, lemon yellow
and ultramarine. Sap green is the mainstay.
Best
JJ
Long time a child and still a child
- JJWilliamson
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I'll try that, Mac
I use black but never without colour, often mixing my own from burnt umber, ultramarine and deep red.
Ivory black comes in handy, though.
Best
JJ
I use black but never without colour, often mixing my own from burnt umber, ultramarine and deep red.
Ivory black comes in handy, though.
Best
JJ
Long time a child and still a child
- JJWilliamson
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Did you have any preferences of brand? Which oils did you like best and did you perceive anyMacavity wrote:Yes, I've used that too - good one.JJWilliamson wrote:
...burnt umber, ultramarine and deep red.
JJ
difference between the student and artist grades? I haven't found a bad one yet. Either I'm
very lucky or haven't a clue what I'm doing. I suspect a bit of both.
I'm also using linseed oil as thinner instead of spirit thinner. Any thoughts would be appreciated.
Acrylics, on the other hand, vary enormously in terms of quality, hues and stability. Some cheap whites tend to yellow very quickly.
Best
JJ
Long time a child and still a child
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I have both of those but Rowney is now Daler and Rowney. They joined forces.
I've a few student grade oils that seem to be okay but they are drying on the dull side.
The above painting has just been oiled out and the finish took a leap forward.
I'm using white spirit but sparingly, having read that linseed will do the job
without the fumes. Spirit is better, though.
JJ
I've a few student grade oils that seem to be okay but they are drying on the dull side.
The above painting has just been oiled out and the finish took a leap forward.
I'm using white spirit but sparingly, having read that linseed will do the job
without the fumes. Spirit is better, though.
JJ
Long time a child and still a child