Astonishment
Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
****** at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
****** at why I wasn’t there.
a face fixed in astonished stare,
black pupils round with puzzlement
****** at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
****** at why I wasn’t there.
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Lou,
a strong second stanza, not too sure about the first though.
Opening line grabs, but then it's a bit 'telly' (when would pupils not be round?),
plus 'astonished', echoing the title, doesn't add anything.
Do you really lose anything by not having S1?
A small suggestion, 'asking/questioning' for 'wondering' (to make use of 'breath')?
Regards, Not.
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Lou,
a strong second stanza, not too sure about the first though.
Opening line grabs, but then it's a bit 'telly' (when would pupils not be round?),
plus 'astonished', echoing the title, doesn't add anything.
Do you really lose anything by not having S1?
A small suggestion, 'asking/questioning' for 'wondering' (to make use of 'breath')?
Regards, Not.
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Thanks Not,
All stories need some kind of exposition. The old canard of 'Show not tell' doesn't hold up any longer: try telling a child a bedtime story using only 'show' without the 'tell - you'll be up all night.
It's the enlarged black roundness of the pupil which gives the surprised look, I thought it important to state this.
I agree with you about the title - something else would be better.
Best,
Lou
All stories need some kind of exposition. The old canard of 'Show not tell' doesn't hold up any longer: try telling a child a bedtime story using only 'show' without the 'tell - you'll be up all night.
It's the enlarged black roundness of the pupil which gives the surprised look, I thought it important to state this.
I agree with you about the title - something else would be better.
Best,
Lou
hi Lou
You have a lean, unfussy writing style that is to my taste. Again 'enjoyed' the write. Obviously, the avoidance of gender is intentional, but maybe 'those eyes' would be more connective, though perhaps 'the eyes' is to establish distancing. The bind of repetitions was effective and relevant in the haunting context.
best
mac
You have a lean, unfussy writing style that is to my taste. Again 'enjoyed' the write. Obviously, the avoidance of gender is intentional, but maybe 'those eyes' would be more connective, though perhaps 'the eyes' is to establish distancing. The bind of repetitions was effective and relevant in the haunting context.
best
mac
My condolences if this was a recent occurrence for you Lou. Not easy seeing a love one in this way.
Luce
Luce
Lou wrote:Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
****** at death appearing there.
I think I would have liked to see other parts of the face showing puzzlement rather than concentrating on the eyes mainly.
I cover up the eyes, I cannot
Rather than saying "cover the eyes" describe what the N really did. Did the N actually close the eyelids, put a sheet over the face...?
bear to think of that last stare,
and that last breath, the wondering
****** at why I wasn’t there.
Was it the "stare" or the "last thought" of the loved one that the N couldn't bear?
Luce
"She acts like summer, walks like rain." - Train
Thanks Luce,
Of course it's the relaxation of sinew in the eyes after death that causes pupils to widen and the face appear to wear an astonished expression. However feelings of guilt often accompany the death of a loved one, especially if we were absent at the time of death, and so it's easy for us to read that last stare as being an accusing one.
Best,
Lou
Of course it's the relaxation of sinew in the eyes after death that causes pupils to widen and the face appear to wear an astonished expression. However feelings of guilt often accompany the death of a loved one, especially if we were absent at the time of death, and so it's easy for us to read that last stare as being an accusing one.
Best,
Lou
- JJWilliamson
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Beautifully understated, Lou
The rhythms and mood work very well together.
No nits, save the title. It does the poem a disservice.
One I would and will read again, for its applicability.
I wasn't there when my mam and dad died, even though
I witnessed their final hours; yet my sister was present
at both deaths. Strange how it works out sometimes.
Best
JJ
The rhythms and mood work very well together.
No nits, save the title. It does the poem a disservice.
One I would and will read again, for its applicability.
I wasn't there when my mam and dad died, even though
I witnessed their final hours; yet my sister was present
at both deaths. Strange how it works out sometimes.
Best
JJ
Lou wrote:Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
****** at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
****** at why I wasn’t there.
Long time a child and still a child
- the stranger
- Prolific Poster
- Posts: 324
- Joined: Thu Aug 19, 2004 4:40 am
I did appreciate the sentiment, but the repetition didn't work for me, not in that short space of time?
NO! perhaps it wasn't the rep, it was the meter, it wasn't consistent across both stanzas, it threw me.
NO! I no nothing of meter, I have no ear, but something wasn't right?
Liked it though.
NO! perhaps it wasn't the rep, it was the meter, it wasn't consistent across both stanzas, it threw me.
NO! I no nothing of meter, I have no ear, but something wasn't right?
Liked it though.
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Hi Lou,
not some much a crit, more a nudge to see if anything falls out.
glistening eyes dilated,
face fixed, astonished stare,
black pupils round with puzzlement
[tab][/tab]at death appearing there.
I cover up the eyes, I cannot
bear to [look at] that last stare,
[to think of that] last breath, wondering
[tab][/tab]why I wasn’t there.
I do wonder, having returned to read again, if part of the problem might be in
stare/there/bear/stare/there ?
Do you 'cover up' or 'close' the eyes? (Repeating Luce here).
I wonder if the title shouldn't be about what N is looking at, but how N is feeling/appearing.
(I'm tempted to suggest 'One Last Look', but I'm not convinced by it)
Regards, Not.
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Hi Lou,
not some much a crit, more a nudge to see if anything falls out.
glistening eyes dilated,
face fixed, astonished stare,
black pupils round with puzzlement
[tab][/tab]at death appearing there.
I cover up the eyes, I cannot
bear to [look at] that last stare,
[to think of that] last breath, wondering
[tab][/tab]why I wasn’t there.
I do wonder, having returned to read again, if part of the problem might be in
stare/there/bear/stare/there ?
Do you 'cover up' or 'close' the eyes? (Repeating Luce here).
I wonder if the title shouldn't be about what N is looking at, but how N is feeling/appearing.
(I'm tempted to suggest 'One Last Look', but I'm not convinced by it)
Regards, Not.
[tab][/tab]
Thanks Not,
I think the repetition of this simple rhyme could well annoy, but it's how the piece came to me. 'Astonishment' while not necessarily being a good title does have the double meaning of the surprised look on the dead person's face and the astonishment of the N. at seeing this. I think the poem needs to be put in a drawer and looked at again in six months time.
Best,
Lou
I think the repetition of this simple rhyme could well annoy, but it's how the piece came to me. 'Astonishment' while not necessarily being a good title does have the double meaning of the surprised look on the dead person's face and the astonishment of the N. at seeing this. I think the poem needs to be put in a drawer and looked at again in six months time.
Best,
Lou
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Apologies Lou,
should have been clearer.
It wasn't the stare/there rhymes, but the way 'bear' (sort of) disrupts them.
This is what I was trying to articulate.
Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
[tab][/tab]at death appearing there.
I cover up the eyes, I cannot
[stand] to think of that last stare,
and that last breath, the wondering
[tab][/tab]at why I wasn’t there.
Regards, Not.
[tab][/tab]
Apologies Lou,
should have been clearer.
It wasn't the stare/there rhymes, but the way 'bear' (sort of) disrupts them.
This is what I was trying to articulate.
Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
[tab][/tab]at death appearing there.
I cover up the eyes, I cannot
[stand] to think of that last stare,
and that last breath, the wondering
[tab][/tab]at why I wasn’t there.
Regards, Not.
[tab][/tab]
As always Lou, well worth allowing a poem 'time', though I would say that the bold use of astonishment in the title and its meaning in the poem drew me into the write. As always, there will be many and opposite responses to word choices and structures.Lou wrote:
'Astonishment' while not necessarily being a good title does have the double meaning of the surprised look on the dead person's face and the astonishment of the N. at seeing this. I think the poem needs to be put in a drawer and looked at again in six months time.
best
mac
Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
at why I wasn’t there.
Hi Lou,
i liked it, it reminded me of an Emily Dickinson poem, with the rhyme and meter.. the astonished stare, and ..of death appearing there. Is it lazy or clever repeating
"stare" and "there" in the second stanza, I don't know. By the repetition, you open up the possibility that its not just about the stare of the dead, but of the stare of the living, which is an ambiguity i like about this piece. Maybe you could change the word "bear" at the start of the sixth line, as you already have stare/there on lines 2,4,6,8 as a rhyme
Tony
a face fixed in astonished stare,
black pupils round with puzzlement
at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
at why I wasn’t there.
Hi Lou,
i liked it, it reminded me of an Emily Dickinson poem, with the rhyme and meter.. the astonished stare, and ..of death appearing there. Is it lazy or clever repeating
"stare" and "there" in the second stanza, I don't know. By the repetition, you open up the possibility that its not just about the stare of the dead, but of the stare of the living, which is an ambiguity i like about this piece. Maybe you could change the word "bear" at the start of the sixth line, as you already have stare/there on lines 2,4,6,8 as a rhyme
Tony
Counting the beats,
Counting the slow heart beats,
The bleeding to death of time in slow heart beats,
Wakeful they lie.
Robert Graves
Counting the slow heart beats,
The bleeding to death of time in slow heart beats,
Wakeful they lie.
Robert Graves
I like it Lou. My only problem with it is the final line of the first stanza. It doesn't quite work for me, and destabilise what would be a strong piece.
Cheers,
Tristan
Cheers,
Tristan
Lou wrote:Eyes dilated, glistening,
a face fixed in astonished stare,
black pupils round with puzzlement
****** at death appearing there.
I cover up the eyes, I cannot
bear to think of that last stare,
and that last breath, the wondering
****** at why I wasn’t there.